In Search of a Free Spirit where the Lost Socks Gather with Star-maps and Sailboats. I arrived to the Azores in the beginning of October. The theory is that I needed rain and moonlight to pick up the reflections of the volcanic stones and minerals that the earlier humans were using to enhance their recorded history in etchings on stones. The beauty of the location is the lack of trees, allowing for a full view of the dynamic work left by earlier artist and engineers. In a previous article I covered the story , The Deer and the Alligator, and I was able to compare the topic of the deer/quadruped relationship with the alligator and some overlap with humans and other elements of the food chain. I also introduce the idea of the architectural elements included in the design that may begin to map out the origin of the artist. I have included the link below to that article The Deer and the Alligator. I have to wonder, what had driven me to climb to the highest point of the the caldera overloo